Marion Landry


marion@marionlandryart.com


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34°08′05″N, 116°18′42″W, Altitude: 2,758 ft

a site-responsive installation presented at BoxoPROJECTS, Joshua Tree, California, USA.

10 oil paintings on canvas, two benches, 3 stools, 2 chairs, 2 blankets, wire mesh and voice notes.





December 2024



The Sky Series





7.12.2024



Hommage aux créosotes





BoxoPROJECTS Residency
October - Dec, 2024


I respectfully acknowledge that this body of work is created on the traditional and unceded lands of the Serrano, Chemehuevi, and Cahuilla peoples. It has been a privilege to observe, engage with, and create in relationship to the land, skies, and waters of this desert, which hold deep cultural and spiritual significance.



34°08′05″N, 116°18′42″W
Altitude: 2,758 ft



October - December 2024




PROJECT DESCRIPTION

As the invited artist-in-residence at BoxoPROJECTS in Joshua Tree, California, I proposed a project centered on creating a body of paintings that respond to the lighting conditions and environmental context of the residency. My approach began with embodied research, spending extensive time observing and engaging with the land of and around the residency through daily walks, wildlife and sky observations while studying the shifting qualities of light—particularly during dawn and dusk.



October 20, 6:30am



October 16, 6:18pm



October 17, 4:22pm



October 17, 6:30pm



October 16, 6:16pm



October 24, 6:27am



EMBODIED RESEARCH

This research process led to the creation of a sensorial mood board composed of photo documentation, voice notes, color palettes, and smaller scale oil on paper.

From these explorations, I identified key themes to guide my work:
-Slow (as in revealing itself slowly)
-Dry, matte, and light absorption quality of the landscape.
-Baren yet thriving
-Adaptable
-Quiet, low soundscape
-Monochromatic and desaturated tones
-Rigid grid system of roads and property lines imposed without consideration for the natural topography.
-Narrow, spiky trees cast minimal, almost invisible shadows, leaving the landscape exposed to the midday sun.
-Vast, expansive sky
-Untouchable, even risky to touch
-Isolated with a closed knit community.
-Peaceful, sense of time expansion
-Open



October 30, 6:30am



October 22, 11:40am



October 23, 6:00pm



October 17, 7:36pm



Creosote seed pods shimmering - Nov 9, 8:35am



Close up on a creosote branch - Nov 9, 8:35am



WALK to the location pointed on the map and listen to sound notes



Sound notes



Note #1 - Oct 22, 2024 4:42pm



My first encounter with the bighorn sheep




Note #2 Oct 26, 2024
6:58am



Sunrise with Coffee​


Note #3 Oct 27, 2024
4:47pm



Snowdog? Sundog?



Note #4 Nov 2nd, 4:25pm



By the entrance door



Painting Production



October 14 to December 16th, 2024, BoxoPROJECTS residency studio, Joshua Tree, California, USA





IDEAS & CONCEPTS
Four main elements emerged to guide my body of paintings:

Slow coming: The desert landscape unfolds gradually, requiring time and patience to notice its subtle details. Its minimalism and monochromatic tones encourage a shift in perception, inviting you to let go of preconceived notions and allow the environment to reveal itself.

The vastness of the sky: seeing how its changing light conditions alter the perception of the landscape and the emotional experience of being within it.

The notion of time: Investigating the desert’s ability to evoke an expanded sense of time.

Light absorption and shimmering effects: Reflecting on the the landscape’s non-reflective quality that is contrasted by the shimmering effect observed at dawn and dusk on the creosote’s fuzzy, white, pea-sized seed pods.



FINDINGS

Abstract Paintings rooted in Embodied Research:

Grid Structure
Inspired by the 2 x 2-inch wire mesh fence enclosing the residency property, this square grid became the foundational structure for the geometric patterns in my paintings.

Seriality
Explored in multiple ways throughout this collection, including a series of 11 x 14” oil paintings on paper that investigate composition, color, and paint finishes. Subtleties in painting techniques are refined within this series and carried forward into the larger works.

The sky series
Four 40 x 36” paintings serving as windows into the sky. These works are abstracted notions of changing lighting conditions observed at dawn, day, twilight, and night. The compositions incorporate linear elements referencing the gridded road system that defines the desert landscape, alongside triangular forms inspired by the minimal shadows cast by the desert's spindly plants. Their slow reading demands a curious eye to capture their subtlety in color and reflective/absorptive light quality.

Shimmer
Five paintings titled "Hommage aux créosotes" focusing on the shimmering effect observed on the creosote’s furry seed pods during dawn and dusk, capturing the interplay of light, texture, and the desert’s atmosphere.



First layer of Aube and Jour



Second layer on all four paintings: Abe, Jour, Crepuscule and Nuit.



First layer for Hommage aux creosotes



First layer for Hommage aux creosotes


Inquire about this series

SITE-RESPONSIVE INSTALLATION



34°08′05″N, 116°18′42″W Altitude: 2,758 ft



This project culminated in a site-responsive installation examining the interplay between light, physical space, and sensory experience. The installation invited the public to engage with the concepts developed during the residency, emphasizing light as both the subject and material of painting.

Date: Saturday, December 7th, 2024
Time: 2–5 PM (Twilight)
Location: BoxoPROJECTS, 62732 Sullivan Road
Joshua Tree, CA 92252

An artist talk will be presented online on Thursday Dec 12th at 1PM, information to follow.




Listen to artist talk

Follow me on social media





Marion Landry